USA comedy
1967
color 89 min.
Director: Mel Brooks
CLV: $39.95 - available
           1 disc, catalog # CC1136L
Back in 1968 when The
Producers made its debut, writer-director Mel Brooks was better known within
the entertainment industry than by the public at large. His writing for Sid
Caesar's Your Show of Shows and the Get Smart television series,
plus his 2000-Year-Old Man comedy routines -- developed with fellow
writer-director Carl Reiner -- had marked him as a minor show business legend.
But when The Producers hit the screen Brooks's minor status quickly became
major, as this raucous satire of Broadway theater catapulted him overnight to the
front ranks of big-time filmmakers. An enormous popular success, The
Producers won the Academy Award for Best Screenplay of the Year. There
have been over the years any number of movie takeoffs of The Great White
Way, from the John Barrymore/Carole Lombard classic Twentieth Century,
to the Marx Brothers' farce Room Service, to the great Fred Astaire
musical The Band Wagon. But there never has been anything quite as wild as
Brooks's manic show biz lampoon about an attempt at turning a Broadway flop into
financial success.
Zero Mostel stars as Max Bialystock, a producer so down on
his luck he's reduced to fleecing old ladies -- exchanging romantic favors for
money he'll supposedly invest in shows. When mild-mannered accountant Leo Bloom
(Gene Wilder) looks over Bialystock's books he discovers that had the hapless
producer cast his pretty fraud scheme a bit wider he could really make a major
killing. "The IRS isn't interested in a flop show," he says. This hint is all
Bialystock needs to hatch his mad scheme. He'll promise controlling interest to
each of his little old lady investors in a "surefire flop." Bloom will help him
"cook" the books and hide the costs. They'll keep a bundle and nobody will be the
wiser.
Soon the scheming pair find what looks like the property of their
dreams -- a musical written by a demented German (Kenneth Mars) called
"Springtime for Hitler." They pick to stage it an equally cracked flamboyant gay
director (Christopher Hewett), and cast a deranged hippy (Dick Shawn) in the
leading role. How can they lose with a loser like this? Simple -- the audience
takes it for satire and turns this most likely melange into a surprise hit. How
Bialystock and Bloom managed to rescue themselves from the jaws of success leads
to further complications -- and an hilarious finale.
Putting over a comedy
like this requires more than a genius/madman in the director's chair, it needs
talent out front. The Producers is packed with skillful players. Zero
Mostel starts at the sort of pitch other comic actors build towards. But you
can't say he's "over the top." In a comedy like The Producers there is no
"top." Mostel knows it, and demonstrates his overpowering comic authority in
every scene. He's well matched with Gene Wilder's high-strung accountant -- a
milquetoast exterior hiding a fearless imagination. But then every member of the
cast is just about perfect in a comedy that starts with the simplest of two
character scenes only to grow to the climax of "Springtime for Hitler" -- a piece
of satirical insanity that has to be seen to be disbelieved.
Mel Brooks has
gone onto things since this, his first feature -- some more skillful, others less
so. One thing is certain, however. The Producers remains as delightful now
as it did when it was first released. When a film can boast of inventing terms
like "creative accounting" and that all-time catch-phrase "When you've got it,
flaunt it!" it's more than a mere success. The Producers is a modern
comedy classic.
-- DAVID EHRENSTEIN
Credits
Director: Mel
Brooks
Producer: Sidney Glazier
Written by: Mel Brooks
Director of
Photography: Joseph Coffey
Music Composed and Conducted by: John
Morris
Editor: Ralph Rosenbloom, A.S.C.
Associate Producer: Jack
Grossberg
Assistant Director: Michael Hertzberg
Production Designer:
Charles Rosen
Choreographer: Alan Johnson
Costume Designer: Gene
Coffin
Transfer
This edition of The Producers was
transferred from a 35mm master print in the correct widescreen aspect ratio.