Jamaica music
1973
color 98 min.
Director: Perry Henzell
CLV: $49.95 - available
           1 disc, catalog # CC1282L
The
Beatles had already done "O-bla-dee, O-bla-da," Paul Simon had already sung "The
Mother and Child Reunion," the Rolling Stones and Jefferson Airplane had both
recorded in Kingston, but it was The Harder They Come that really put
reggae on the map. Its new and insinuating beat indelibly stamped itself into the
consciousness of all filmgoers in 1973, and there isn't a single song that
doesn't still ring true, not one without a classic hook that doesn't stay with
you long after the film ends.But if you remember The Harder They Come
for its soundtrack rather than for the movie itself, you're in for a big
surprise. This picturesque cult classic has aged remarkably well -- the politics
are still vital, Perry Henzell's direction crisp and professional, and the story
exciting and fresh.
Jimmy Cliff plays Ivan, a character loosely based upon
Rhygin, a genuine Jamaican outlaw folk hero of the 1950s. Ivan is a renegade
songwriter from the boondocks of Jamaica who comes to the big city looking for
dreams and only finds reality. He's ripped off, beaten up, falls in love with a
minister's ward who hates his guts, peddles ganja on the street, and finally
sells a song to the only game in town for a measly $20. Within half an hour, he's
doing battle against the music industry, old-time religion, corrupt police, more
corrupt dope dealers, and life in the slums simultaneously making it to the Most
Wanted lists and the pop charts. It's an anti-tourism film, violent and
energetic, yet somehow managing to discretely combine political realism with show
biz fantasy shoot-outs.
The Harder They Come came from left field as far
as the film community was concerned. Everyone thought of foreign films as French,
Italian, or Swedish, so an oddity labeled "Jamaica's very first feature-length
film" caught everyone by surprise when it premiered in the United States at
FILMEX -- The Los Angeles International Film Exposition in 1972. Kevin Thomas of
the Los Angeles Times immediately picked it as one of the best of the festival,
calling it "delightful, poignant . . . timeless and universal . . . nothing short
of amazing." He virtually dared some American film distributor not to pick it
up.
Luckily, New World did, and it became one of the hits of the year, making
Jimmy Cliff an international star. Cliff, whose real name is James Chambers, was
a ska recording artist from the early 1960s. He eventually won a Grammy for best
Reggae Recording of 1986, but it's hard to beat what he wrote in 1972. The
soundtrack to The Harder They Come is something like the Sgt. Pepper's of
reggae -- one of the hippest and most memorable collections of Jamaican music
ever recorded. (Of course nobody can possibly accuse the Academy of Motion
Picture Arts and Sciences of any form of hipness. They gave the Best Song award
that year to "The Way We Were" rather than "Many Rivers to Cross" or "You Can Get
It If You Really Want")
Reggae was more than a style of music, it was a
political, social, and artistic movement throughout Jamaica. The police shut down
production of The Harder They Comemany times due to the radical political
content, and it turns out they were justified in doing so. When the film opened
in Kingston, the islanders were overwhelmingly in favor of Ivan's wholesale
slaughter of the local police department; not coincidentally, the reigning
conservative Labour Party Government was voted out of office at the next
election. According to Jimmy Cliff, The Harder They Come functioned as a
persuasive piece of anti-government propaganda that actually prevented violence
because "if the Jamaica Labour Party had been returned, there would have been a
revolution."
How many films are there that you can tap your feet to and that
helped topple a repressive government? Only one.
-- MICHAEL
DARE
Credits
Produced and Directed by: Perry Henzell
Written by:
Perry Henzell, Trevor D. Rhone
Art Director: Sally Henzell
Assistant
Directors: Robert Russell, Tony Straw
Production Manager: Yvonne
Jones
Edited by: John Victor Smith, Richard White, Reicland Anderson
Sound:
Bob Povey, Winston Rodney
Cameramen: David McDonald, Peter Jessop, Franklyn
St. Juste
Camera Assistant: Ernest Davi
Gaffer: Roy Marsden
Processing:
Humphries Laboratory Ltd.
Transfer
This edition of The
Harder They Come was transferred digitally from a 35mm master print.